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Willett 與 Ome Dezin 聯(lián)手，翻新洛杉磯中世紀CM G1住宅
Willett and Ome Dezin renovate mid-century CM G1 House in LA

由專筑網Yinglin，小R編譯

洛杉磯家具設計工作室 Willett 與室內設計和開發(fā)工作室 Ome Dezin 合作，重新構想了位于月桂谷山間的一座上世紀60年代住宅。

Ome Dezin 的負責人 Jesse Rudolph 和 Joelle Kutner 與 Willett 攜手，在修復和翻新這棟面積為2920平方英尺（約271平方米）的 CM G1住宅的過程中，將 Willett 的家具設計理念以更宏大、更整體的規(guī)模付諸實踐。

LA-based furniture design studio Willett has worked with interior design and development studio Ome Dezin to reimagine a 1960s residence in the hills of Laurel Canyon.
Ome Dezin principals Jesse Rudolph and Joelle Kutner partnered with Willett to execute his vision for furniture on a larger, more holistic scale during the restoration and renovation of the 2,920-square-foot (271-square-metre) CM G1 House.

▲ 板條式前門是 Willett 為 CM G1住宅創(chuàng)作的眾多定制設計之一
The slatted front doors are one of many custom designs that Willett created for the CM G1 House

除了營造獨特的氛圍外，這次徹底的內部改造旨在改善空間之間的流動性，并更好地將它們與室外及自然環(huán)境連接起來。

該團隊表示：“這次大膽、感性且連貫的改造，既向住宅的起源致敬，又引入了鮮明的現(xiàn)代活力。”

As well as cultivating a distinct atmosphere, the full gut remodel aimed to improve the flow between the spaces and better connect them to the outdoors and natural surroundings.
"The bold, sensual, and cohesive transformation honours the home's origins while introducing a distinctly modern vitality," said the team.

▲ Willett 的多款現(xiàn)有設計也出現(xiàn)在住宅中，包括沙漏形的 Radi 餐桌和餐椅
Several of Willett's existing designs also feature in the home, including the hourglass-shaped Radi Table and Dining Chairs

在整個空間中，溫暖的道格拉斯冷杉木呼應了中世紀的時代特征，而滑動玻璃門則將室內與繁茂的花園連接起來。

Willett 為這棟住宅創(chuàng)作了多個定制元素，從板條式前門和書房寫字臺，到主臥室中一個集成了書桌、日床和儲物空間的巨大嵌入式系統(tǒng)。

Throughout the property, warm Douglas fir was applied to reference the mid-century era and sliding glass doors connect the interior to the lush garden.
Willett created multiple custom elements for the house, ranging from the slatted front door and study desk, to an expansive built-in system in the primary bedroom that incorporates a desk, daybed and storage.

▲ 翻新工程包括一個翻修過的壁爐和一系列天窗
Interventions include a refurbished fireplace and a series of skylights

今年早些時候，設計師在一場火災中失去了自己的家，之后他在 The Future Perfect 的一個群展上展出了幾件他曾為自己家設計的家具。

其中幾件作品也出現(xiàn)在了 CM G1住宅中，包括圓柱形桌腿的 Tonn 桌和 Gio 凳，沙漏形的 Radi 桌椅，以及亮紅色的 Popo 椅。

The designer lost his home in Altadena during the devastating fires earlier this year, and afterwards exhibited several pieces of furniture he had designed for its spaces as part of a group show at The Future Perfect.
Several of these pieces are featured in the CM G1 House, including the cylindrical-legged Tonn Table and Gio Stool, the hourglass-shaped Radi Table and Chairs, and the glossy red Popo Chair.

▲ 黑色石板地面貫穿多個空間，包括書房
Black flagstones extend through many of the spaces, including the study

與這些作品一同亮相的，還有 Willett 的 Early Works: Group 01 系列中的新增作品——皮革材質的 Poporo 餐椅、Popo 吧臺凳和 KOC 梳妝臺——這些作品在該項目中首次亮相，并將于今年春季正式發(fā)布。

團隊表示：“對于 CM G1 住宅，Willett設想了一個完整的設計生態(tài)系統(tǒng)：一個從布局到家具，每一個元素都反映了獨特且高雅的觀點的地方。”

These are joined by new additions to Willet's Early Works: Group 01 collection – the leather Poporo dining chair, Popo counter stools, and the KOC Dresser – that are debuting in this project before launching this spring.
"For the CM G1 House, [Willett] envisioned a complete design ecosystem: a place where every element, from the layout to the furniture, reflects a singular, elevated point of view," said the team.

▲ 主臥室中出現(xiàn)了更多的定制家具，構成了一張書桌、儲物空間和一張沙發(fā)床
More custom furniture appears in the primary bedroom, forming a desk, storage and a day bed

為了將各個空間聯(lián)系起來，入口處的地板鋪設了黑色石板，這種材質也延伸至廚房、用餐區(qū)和書房，并一直延續(xù)到后院。

深色大理石構成了廚房和浴室的臺面與后擋板，并勾勒出門框線條，與大面積的木工作品形成了視覺上的對立。

Tying the spaces together, black flagstones cover the floor in the entryway and repeat across the kitchen, dining area and study, then extend out to the back yard.
Dark marble forms countertops and backsplashes in the kitchen and bathrooms, and lines the door frames, providing a visual counterpoint to the extensive millwork.

▲ 一個衣柜被鏡子包裹，鏡面被一條雙色木質水平帶打斷
A closet is wrapped in mirrors that are interrupted by a horizontal band of two-toned wood

同樣，客廳中一個經過翻新的轉角壁爐壁爐邊飾和爐床，在木質飾面之間提供了焦點。

深綠色和泥土色調貫穿整個空間，而一間浴室則鋪設了藍色方形瓷磚，形成對比。

一個衣柜被通頂的鏡子包裹，鏡面被一條雙色木板組成的水平帶打斷，門把手則以微小的立方體形式融入其中。

各個房間還增設了天窗，引入更多的自然光。

Similarly, a refurbished corner fireplace surround and hearth provides a focal point between wood surfaces in the living area.
Deep greens and earthy hues carry through the spaces, while a bathroom is lined in blue square tiles as a moment of contrast.
A closet is wrapped in floor-to-ceiling mirrors interrupted by a horizontal band of two-tone wood panels that incorporate the door handles as tiny cubes.
Skylights were also introduced in various rooms to bring in additional natural light.

▲ 溫暖的道格拉斯冷杉木被選中，呼應建筑的中世紀起源
Warm Douglas fir wood was chosen to complement the building's mid-century origins

Ome Dezin 從本地古董店 DEN 精心挑選了其余的家具和物品，地毯則來自藝術家 Scarlett Rouge 為 CC-Tapis 設計的 Whispers 系列。

團隊說：“這棟住宅擁抱了自然環(huán)境，并傳達了這個社區(qū)的創(chuàng)作精神，這里長久以來一直受到藝術家和音樂家的珍視。最終呈現(xiàn)的是一個私密、具有建筑感的休憩之所，感覺有意為之，清新而寧靜?！?br />
Ome Dezin curated the selection of remaining furnishings and objects from local antique store DEN, along with carpets from artist Scarlett Rouge's Whispers collection for CC-Tapis.
"The home embraces the natural setting and channels the creative spirit of the community, long cherished by artists and musicians," said the team. "The result is a private, architectural retreat that feels intentional, fresh, and serene."

▲ 黑色石板地面穿過滑動玻璃門，延伸至繁茂的后院
The black flagstones extend through sliding glass doors to the lush back yard

Ome Dezin 已經在整個大洛杉磯地區(qū)修復了多座具有重要建筑意義的住宅，包括由 A Quincy Jones 于上世紀60年在布倫特伍德設計的一處房產。

這座城市不乏中世紀住宅，其他近期經過翻新的項目包括 Ray Kappe 的 Glass Ridge住宅、Duane 住宅以及銀湖區(qū)一棟上世紀50年代的住宅。

Ome Dezin has restored several homes of architectural significance across the greater Los Angeles area, including a Brentwood property designed by A Quincy Jones in 1960.
The city has no shortage of mid-century residences, and others that have recently received a refresh include Ray Kappe's Glass Ridge House, the Duane House and a 1950s home in Silver Lake.

攝影：Yoshihiro Makino

The photography is by Yoshihiro Makino.

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