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2025年格拉斯頓伯里音樂節不容錯過的八大建筑與設計亮點
Eight unmissable architecture and design highlights at Glastonbury 2025

由專筑網Yinglin，小R編譯

對于建筑和設計愛好者來說，一輛被壓扁的特斯拉和一座帶有真實活體植物的舞臺，都是今年格拉斯頓伯里音樂節（Glastonbury festival）上不容錯過的裝置藝術。

作為世界上最大的音樂節，格拉斯頓伯里音樂節的規模就像一座臨時容納超過20萬人口的小城市。

音樂節占地900英畝，擁有超過80個舞臺和多個各具特色的區域，從深奧的“治愈之地”到東南角的電子音樂圣地。

盡管許多舞臺保持不變，例如標志性的金字塔舞臺（Pyramid Stage）和Block 9區域巨大的IICON頭像，音樂節每年也會增加一系列豐富多彩的新裝置、布景和臨時帳篷。

我們為您盤點了今年格拉斯伯頓伯里音樂節在視覺和建筑上的眾多亮點。

A crushed-up Tesla and a stage with real live plants are among the must-see installations at this year's Glastonbury festival for architecture and design lovers.
One of the world's largest music festivals, Glastonbury is often compared to the size of a small city with a temporary population of more than 200,000 people.
Spread across 900 acres, it includes more than 80 stages and various distinct areas all with a specific character, from the esoteric Healing Fields to the electronic music mecca of the South East Corner.
Although many stages remain the same – such as the iconic Pyramid Stage and Block 9's giant IICON head – the festival also welcomes a colourful roster of new installations, sets and temporary tents every year.
Below, we've rounded up some of this year's most visually and architecturally interesting.

Photo courtesy of Edgar Phillips

巨龍（The Dragon） by Edgar Phillips

一條長達40米的巨大雙足翼龍（wyvern）棲息在格拉斯頓伯里音樂節全新的“龍尾”（Dragon's Tail）區域，其表面覆蓋著價值“一整座教堂”的彩色玻璃。該區域的設立是為了在天黑后，分流涌入音樂節通宵舞曲區的游客。

藝術家兼專業玻璃工Edgar Phillips設計的龍身蜿蜒起伏，其中嵌入了休息區，而兩片寬大的翼狀頂棚則為疲憊的音樂節觀眾提供了遮陽和庇護。

Phillips像制作傳統彩色玻璃窗一樣精心制作了每一塊玻璃部分，并在短短11周內完成了整個結構。它將成為音樂節一個永久性的新設施。

他說：“這是一個鋼結構，整個裝置都鑲嵌著真正的彩色玻璃窗——各種紋理和不同種類的玻璃。”

其中，用作龍眼的玻璃是Phillips在40多年前從一家現已倒閉的制造商那里收集的口吹玻璃。

The Dragon by Edgar Phillips
A giant 40-metre-long wyvern clad in "a church worth" of stained glass presides over Glastonbury's new Dragon's Tail field, introduced to absorb the influx of visitors to the festival's all-night dance music quarter after dark.
Seating areas are nestled into the dragon's undulating form, designed by artist and trained glazier Edgar Phillips, while two sweeping wing canopies provide shade and shelter to weary festivalgoers.
Phillips crafted each glazed section as if it were a traditional stained glass window and completed the whole structure, which will be a permanent new fixture for the festival, in only 11 weeks.
"It's a steel structure with proper stained glass windows throughout the whole thing – all sorts of textures and different glass," he told Dezeen.
Among them are pieces of mouth-blown glass that now serve as the dragon's eyes but were originally collected by Phillips more than 40 years ago from a manufacturer that has since shut down.

Photo by Shaun Peckham

In Plants We Trust by Yinka Ilori

倫敦設計師Yinka Ilori在格拉斯頓伯里音樂節首次亮相，其裝置作品是音樂節全新改造的“香格里拉”（Shangri-La）區域戶外畫廊的一部分。

“能成為這樣一個讓成千上萬的人參與互動的特別項目的一部分，感覺太棒了。”Ilori說，“對我來說，這個藝術項目的重要性在于將藝術帶給大眾，讓各行各業的每個人都能接觸到它。”

他的裝置讓人聯想到古代神廟建筑，由一個階梯式金字塔構成，中心被切割出一條發光的走廊，頂端則是一個花壇。

該結構被設計成一個“植物的神殿”，提醒著音樂節的觀眾，植物群對于人類和地球的健康起著至關重要的作用。

In Plants We Trust by Yinka Ilori
London designer Yinka Ilori is making his Glastonbury debut with an installation as part of an outdoor gallery in the festival's newly revamped Shangri-La area.
"It feels incredible to be part of something so special that thousands of people will get to interact with," Ilori told Dezeen. "For me, the importance of the art programme is about bringing art to people and making it accessible to everyone from all walks of life."
Reminiscent of ancient temple architecture, his installation consists of a stepped pyramid with an illuminated corridor cut out of the centre and a flower bed at its apex.
The structure was designed as a "shrine for plants", reminding festivalgoers of the crucial role that flora plays in the health of people and planet.

Photo by Giulia Spadafora

In Return by Re:Right Design and British Wool

羊毛是一種可再生、可生物降解的石油基塑料替代品，目前在設計界正經歷一場復興，從沙發填充物、包裝到“世界上第一條完全由天然材料制成的游泳短褲”，其應用無處不在。

為了探索這種古老材料的可持續潛力，生物設計工作室Re:Right創造了一個羊毛噴泉，其雙螺旋結構中嵌入了發芽的種子。

該裝置由本地的英國羊毛制成，是每年聚焦不同材料創新的可拆卸式海耶斯展館（Hayes Pavilion）的中心展品。往屆的焦點曾是菌絲體和生物塑料。

In Return by Re:Right Design and British Wool
Wool is having a bit of a Renaissance in design at the moment as a renewable, biodegradable alternative to petroleum-based plastic, used to make everything from sofa padding and packaging to the "world's first swim shorts made entirely from natural materials".
To explore the sustainable potential of this ancient material, biodesign studio Re:Right has created a wool fountain with sprouting seeds embedded in its twin spiral structure.
The installation, made from local British wool, forms the centrepiece of the demountable Hayes Pavilion, which every year spotlights a different material innovation. Previous editions have focused on mycelium and bioplastic.

Photo by Leora Bermeister

香格里拉舞臺（Shangri-La stage） by Kaye Dunnings

今年，格拉斯頓伯里音樂節的香格里拉區域以“再野化”（re-wilding）為主題進行了全面改造。

與這一理念相符，該區域的旗艦舞臺經過重新構想，其立面上生長著植物，每天都由一臺櫻桃采摘機為其澆水。

今年音樂節結束后，這些錐花、蕨類、蘆葦和草將被移走，并在接下來的兩年里得到精心照料，直到2027年格拉斯頓伯里音樂節時再次回歸。

舞臺周圍是創意工作室Trigger設計的40英尺（約12米）高的巨型“樹木”，每晚都會有自然場景的投影映射在上面。

Shangri-La stage by Kaye Dunnings
Glastonbury's Shangri-La area has received a complete overhaul this year, based around the theme of re-wilding.
In line with this idea, the area's flagship stage has been reimagined with living plants growing out of its facade that are watered every day via a cherry picker.
After this year's festival the cone flowers, ferns, reeds and grasses will be moved off site and carefully tended for the next two years, until they return for Glastonbury 2027.
Surrounding the stage are towering 40-foot "trees" designed by creative studio Trigger, onto which nature scenes will be projection mapped every night.

Photo by Giulia Spadafora

向日葵音響系統（Sunflower Sound System） by Magical Mushroom Company and Floating Points

在銀色海耶斯（Silver Hayes）區域新推出的向日葵音響系統舞臺，音樂節的觀眾將在25個巨大的、由蘑菇菌絲體培育而成的鐘擺下跳舞。這些鐘擺旨在為穹頂帳篷內創造最佳的聲學效果。

這標志著首次有現場音樂舞臺使用這種前景廣闊的生物材料進行隔音，該材料由真菌的根部結構形成。

Sunflower Sound System by Magical Mushroom Company and Floating Points
At the newly launched Sunflower Sound System stage in Silver Hayes, festivalgoers will be dancing underneath 25 giant pendulums grown from mushroom mycelium, designed to create optimal acoustics inside the domed tent.
It marks the first time a live music stage has been insulated with this promising biomaterial, formed from the root structure of fungi.

Photo by Clara Finnigan

把他們送上火星（Send them to Mars） by Led by Donkeys

幾周前，活動組織Led by Donkeys招募了一位二戰老兵，讓他駕駛一輛坦克壓過一輛特斯拉。

“他說：‘我們在1945年粉碎了法西斯主義，今天我們再次粉碎了它。’”格拉斯頓伯里Block 9區域的聯合創始人Stephen Gallagher說。

現在，這輛被壓扁的汽車自豪地展示在IICON舞臺旁，旁邊配有一幅圖畫，描繪了杰夫·貝佐斯、馬克·扎克伯格和一個行納粹禮的埃隆·馬斯克，正步入一艘飛往太空的火箭。

標語上宣告著：“當地球上我們在派對時，把他們送上火星。”

同樣被排斥的陣容中，還有身穿橙色囚服的以色列總理本雅明·內塔尼亞胡、J.K.羅琳和保守黨議員蘇拉·布雷弗曼——“他們近年來讓世界部分人群的生活變得更加困難”。

Send them to Mars by Led by Donkeys
A few weeks ago, activist group Led by Donkeys recruited a world war two veteran to drive a tank over a Tesla.
“He said: we crushed fascism in 1945 and we crushed it again today,” co-founder of Glastonbury’s Block 9 area Stephen Gallagher told journalists.
Now, the bulldozed vehicle is on proud display next to the IICON stage, accompanied by a graphic showing Jeff Bezos, Mark Zuckerberg and a Sieg Heil-ing Elon Musk marching into a rocket bound for space.
"Send them to Mars while we party on earth," the sign proclaims.
Also in the lineup of the ostracised, shown in orange prison uniforms, are Israeli prime minister Benjamin Netanyahu, JK Rowling and Conservative  member of parliament Suella Braverman – "just some of the people who in recent years have made life on earth more difficult for the rest of us".

Azaadi by Sophie Sarwar

格拉斯頓伯里音樂節專門的南亞舞臺于2024年首次亮相，今年回歸并擴建至兩層樓高。

其明亮的橙色立面裝飾著傳統的印度花環，這些花環在風中輕輕搖曳，由一位通常為婚禮制作花環的獨立制作者打造。

Azaadi by Sophie Sarwar
Glastonbury's dedicated South Asian stage, which debuted in 2024, has returned this year and grown to two storeys tall.
Its bright orange facade is decked out in traditional Indian flower garlands that gently sway in the wind, made by an independent maker who usually creates them for weddings.

Photo courtesy of Mark Wallinger

Jungle Gym by Mark Wallinger

該作品來自Turner獎得主——藝術家Mark Wallinger，作品表達了一個紅色攀爬架受制于鐵絲網，藝術家以此來構想加沙地區的年輕難民與兒童那缺乏自由的童年。

Wallinger說道：“兒童是無辜的，他們無法言語也沒有權力。”

該作品屬于“No Human is Illegal”展覽，該展覽的作品以移民的真實生活為底蘊，挑戰了一些問題的答案，這些問題來源于英國公民測試，同時也表達了此類人群尋求庇護的噩夢。

A bright-red jungle gym is shut away behind a maze of chain-link fences in this installation by Turner Prize-winning artist Mark Wallinger, visualising the childhood stolen from young refugees and kids in war zones – especially Gaza.
"Children are the innocents in this world, who have no say and no power," Wallinger said.
The labyrinth forms part of an exhibition titled No Human is Illegal in Glastonbury's Terminal 1. Based on the real-life experience of migrants, it challenges festivalgoers to answer questions from the British citizenship test and navigate the Kafkaesque nightmare of seeking asylum.

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